Search In: Everything   Products

Ranger Blog: Home Decor/3D

Spring Vignette Tray by Bobbi Smith

Spring Vignette Tray by Bobbi Smith

Hi everyone, Bobbi here! I’m so happy to be with you on the Ranger Blog today! I’ll be creating this Vignette Tray perfect for spring!

Spring Vignette Tray by Bobbi Smith

Step 1: Working on a Non-Stick Craft Sheet white wash the Vignette Tray and Vignette Panel front, back and sides using some watered down Picket Fence Distress Paint. You want the paint to be somewhat transparent on the wood. Allow to air dry or you can speed up the process with the Heat It Tool. After dry, splatter the Vignette Tray and Vignette Panel with Picket Fence Distress Paint using the Distress Splatter Brush. Load bristles with the paint then pullcback bristles with fingers and release to create the splatters. That is such a fun tool. Allow to air dry or use Heat It Tool.

Spring Vignette Tray by Bobbi Smith

Step 2: Take a piece of burlap from the Textured Surfaces pack. Trim it down to 6 3/4 x 4 1/4 with non-stick scissors. Paint a thin layer of Dina Wakley Media Black Gesso on burlap leaving some areas still exposed. Allowed to air dry thoroughly or use Heat It Tool. Place the Flourish Layering Stencil over top of gessoed burlap and tack down with tape to Non-Stick Craft Sheet. Using a Mini Ink Blending tool with foam, pick up Fossilized Amber Distress Oxide Ink from pad. Working in a circular motion, apply Oxide Ink with Blending Tool over layering stencil to the burlap. Move layering stencil to the right to continue the pattern.

Spring Vignette Tray by Bobbi Smith

Step 3: Carefully lift the layering stencil and dry inked burlap with Heat It Tool. To really activate that oxide look, spray droplets of water using Distress Sprayer onto inked surface of burlap. Then dry with Heat It Tool. Add splatters for additional interest using Picket Fence Distress Paint and the splatter brush to burlap. Then dry with Heat It Tool.

Spring Vignette Tray by Bobbi Smith

Step 4: Cut a piece of Ranger Kraft Cardstock 4 1/4 x 5. Apply Flourish pattern with Layering Stencil using Fossilized Amber Distress Oxide and blending foam to Ranger Kraft Cardstock, moving stencil to continue pattern. Lift stencil and dry Ranger Kraft Cardstock with Heat It Tool. Spray droplets of water using Distress Sprayer onto inked background to activate oxide look then dry with Heat It Tool. I just can’t help but say it…“that is so cool”!

Spring Vignette Tray by Bobbi Smith

Step 5: Using the Quilted Texture Fade, run the Ranger Kraft Cardstock through a diecut machine to create the raised texture on the surface. Cut Ranger Kraft cardstock in half, so you have two 4 1/4 x 2 1/2 pieces. Then shade edges of cardstock with Walnut Stain Distress Ink and a Blending Tool. Then dry with Heat It Tool.

Spring Vignette Tray by Bobbi Smith

Step 6: I added a few more water spots with just a bit more water droplets using the Distress Sprayer onto the Ranger Kraft Cardstock. Then dry with Heat It Tool. I have so much fun adding layers upon layers of interest to a piece. Swoosh a little Vintage Photo Distress Oxide onto the Non-Stick Craft sheet along with water droplets using the Distress Sprayer and pick up color with splatter brush. Splatter ink onto Kraft Cardstock and dry with Heat It Tool. Distress edges of cardstock with Ranger Bone Folder.

Spring Vignette Tray by Bobbi Smith

Step 7: Adhere both pieces of Ranger Kraft Cardstock to the top and bottom of the Vignette Tray with Glossy Accents. Then take the paper backing off of the burlap exposing the adhesive. Adhere burlap to center of Vignette Tray, leaving equal distance from top to bottom.

Spring Vignette Tray by Bobbi Smith

Step 8: Add Distress Oxide Cracked Pistachio to the Non-Stick Craft Sheet. Spray droplets of water onto the ink using a Distress Sprayer. Press or swipe a Distress Watercolor Cardstock through the ink, picking up the color.

Spring Vignette Tray by Bobbi Smith

Step 9: While the Distress Watercolor Cardstock is still wet, slowly pull the trigger of the Distress Sprayer to add larger water droplets. Then dry with Heat It tool. To add more distress, pick up droplets of color off the Non-Stick Craft Sheet with the Distress Watercolor Cardstock, blotting to pick up the color (not swiping), then drying with Heat It Tool.

Spring Vignette Tray by Bobbi Smith

Step 10: Add additional colors separately to add more definition to each color. Swipe Peeled Paint and Vintage Photo Distressed Oxides onto Non-Stick Craft Sheet, making sure the colors do not to touch. Spray droplets of water onto the ink using a Distress Spray bottle. Pick up droplets of color off the Non-Stick Craft Sheet with the Distress Watercolor Cardstock, blotting to pick up the color (not swiping). While the Distress Watercolor Cardstock is still wet, slowly pull the trigger of the Distress Sprayer to add larger water droplets. Then dry with Heat It Tool.

Spring Vignette Tray by Bobbi Smith

Step 11: Color four or five different sheets of Distress Watercolor Cardstock with the various Distress Oxide Ink colors combinations, using the same coloring techniques. You can also accent your Distress Oxides with original Distress Inks too. Here I used Fossilized Amber Distressed Oxide Ink alongside Wilted Violet Distress Ink. They work beautifully together.

Spring Vignette Tray by Bobbi Smith

Step 12: Cut a piece of Ranger Kraft Cardstock 4 1/4 x 5 1/2. Using the Stampers Anonymous Newsprint Stamp and Fossilized Amber Distressed Oxide Ink, stamp the image onto Ranger Kraft Cardstock. Dry with Heat It Tool.

Spring Vignette Tray by Bobbi Smith

Step 13: Spray large droplets of water using Distress Sprayer on stamped image, then dry with Heat It Tool.

Spring Vignette Tray by Bobbi Smith

Step 14: Repeat steps using various Distress Oxide Inks on additional Ranger Kraft. Cardstock.

Spring Vignette Tray by Bobbi Smith

Step 15: Using the Distress Watercolor Cardstock that you colorized and the Ranger Kraft Cardstock that you stamped, die cut wildflower images using the Tim Holtz Sizzix Wildflower Thin dies. Swipe Broken China Distressed Oxide Ink onto Non-Stick Craft Sheet, then add droplets of water to ink. Pick up droplets of color off the Non-Stick Craft Sheet with the die cut wildflowers, blotting to pick up the color (not swiping), then drying with Heat It Tool.

Spring Vignette Tray by Bobbi Smith

Step 16: Add shading to wildflowers with Walnut Stain Distress Ink and a Blending Tool with foam. Dry with Heat It Tool, if needed.

Spring Vignette Tray by Bobbi Smith

Step 17: Start layering all of the wildflowers using small pieces of Ranger Black Adhesive Foam adhered to back of the largest part of flower. Making sure not to add any flowers past the bottom portion of the burlap. You can tack the bottom of the stems to the burlap with a little Glossy Accents.

Spring Vignette Tray by Bobbi Smith

Step 18: Add Design Tape to edge of Vignette Tray and burnish with Ranger Bone Folder. Snip the corners of the tape with scissors and fold along all edges.

Spring Vignette Tray by Bobbi Smith

Step 19: Use Distress Markers to tint Paper Doll by coloring the image and then blotting with towel or rubbing away the excess ink with a cotton swab. Then dry with Heat It Tool.

Spring Vignette Tray by Bobbi Smith

Step 20: Color Typography using a little Pumice Stone Distress Paint. Then let air dry or dry with the Heat It Tool. Diecut the word “happy” from small strip of black Kraft Core Cardstock. On a scratch piece of paper, sand the black Kraft Core to expose the underlying kraft. Cut a small V on right side of word strip, to create a banner. Back with a small piece of silver Deco Sheet.

Spring Vignette Tray by Bobbi Smith

Step 21: Adhere some Design Tape to the Vignette Panel. Then tie off a little Eclectic Elements Craft Thread to the Vignette Panel. Flip the panel over and build up 3 stacks of Ranger Black Adhesive Foam in each corner, for height.

Spring Vignette Tray by Bobbi Smith

Step 22: Attach the “enclosed” Snippet Ephemera with the craft thread to the wildflowers. Attach the Vignette Panel. Then adhere the banner, Typography, Paper Dolls and Butterfly Snippets using Glossy Accents.

Spring Vignette Tray by Bobbi Smith

I just love the dimension this sweet little Spring Vignette Tray creates. Distress Oxide Inks are so much fun to experiment with, I truly hope you give it a try!

Bobbi SmithMy name is Bobbi Smith. I’ve been a crafter all my life, however I really found my niche in paper-crafting about 20 years ago, when my children were young and have never looked back. I love all forms of Art, but really gravitate towards vintage, distress and grunge styles. I live in Illinois and love to hunt for vintage finds, when I’m not paper crafting!  Check out my blog at Vintage Muse Designs.

Easter the Dylusions Way by Miranda van den Bosch

Easter the Dylusions Way by Miranda van den Bosch | www.rangerink.com

Today I want to show you how you can brighten up your Easter decorations by using the Dylusions paints. I made some cheery decoration for my Easter branches.

Easter the Dylusions Way by Miranda van den Bosch | www.rangerink.com

Step 1: I bought some plastic easter eggs and gave them a nice layer of gesso using Dina Wakley’s White Gesso.

Easter the Dylusions Way by Miranda van den Bosch | www.rangerink.com

Step 2: After the gesso is dry, use the Dylusions paints to colour all the eggs. I used Pure Sunshine, Tangerine Dream, Bubblegum Pink and Lemon Zest.

For decorating the eggs, I use the Ranger Enamel Accents and Dylusions Paint Pens.

I used the Enamel Accents to make dots, stripes and circles. The Enamels are thick acrylic paint, so you really get some nice structure when you use them on your eggs.

Easter the Dylusions Way by Miranda van den Bosch | www.rangerink.com

Step 3: The ribbon on the eggs get another colour with the Dylusions Ink Sprays. I used Bubblegum Pink, Pure Sunshine and Tangerine Dream. Just spray some ink on the ribbon and let it dry.

Easter the Dylusions Way by Miranda van den Bosch | www.rangerink.com

Step 4: The new die cuts have a perfect size for using them as decoration in your Easter branches. I picked out a few different designs and coloured them with Distress Markers, Dylusions Paint Pens and a little Distress Crayons.

Easter the Dylusions Way by Miranda van den Bosch | www.rangerink.com

Step 5: To make a skin colour I used Abandoned Coral and Fossilized Amber and blend them together with water. If you use too much Coral your skin gets to pinky and to yellowish if you use too much amber. I always try out on a little piece of paper first to see if the colour turns out ok.

I usually add 3 to 4 layers of colour before I am satisfied with the result.

Easter the Dylusions Way by Miranda van den Bosch | www.rangerink.com

Step 6: Punch out some circles and take some pieces of ribbon or rope. Furthermore you’ll need some glue and tape.

Easter the Dylusions Way by Miranda van den Bosch | www.rangerink.com

Step 7: Tape down the rope and glue a circle on top of it so the backside of the image looks nice too.

Easter the Dylusions Way by Miranda van den Bosch | www.rangerink.com

Step 8: Decorate your Easter branches with the eggs and coloured die cuts and have a cheery Easter this year.

Miranda van den Bosch

My name is Miranda van den Bosch and I live in Ridderkerk, which is a small town in the Netherlands. I have been painting and drawing since I was 4. I mainly painted portraits and animals. In 2010 I discovered art journaling and the fabulous world of Dyan Reaveley’s Dylusions and I got hooked ever since. I love the many possibilities you have with the stamp sets. You can create new images over and over again by combining new sets with older sets…..and the colours of the inks and paints aren’t they just dylucilious???

My Blog:  http://mirandascardcreations.blogspot.nl/
My Facebook :  https://www.facebook.com/miranda.vandenbosch.94
My Instagram :  https://www.instagram.com/macbo27/
Pinterest:  https://nl.pinterest.com/mirandav/

Pastel and Metallic Easter Eggs by Taylor Huizenga

Pastel and Metallic Easter Eggs by Taylor Huizenga

Step 1: To begin, coat your crafting egg with a layer of Dina Wakley Media White Gesso. By adding the layer of gesso, it helps create a smooth surface that the paint can adhere to evenly.

Pastel and Metallic Easter Eggs by Taylor Huizenga

Step 2: Paint the egg a solid color of your choice, I chose Blushing mixed with White to create a more pastel pink. I gave the egg 2-3 coats of paint (depending on how light the color was). Allow the paint to dry before adding the next coat.

Pastel and Metallic Easter Eggs by Taylor Huizenga

For the other two eggs, I used Lime and Turquoise, both mixed with White to create a pastel.

Pastel and Metallic Easter Eggs by Taylor Huizenga

Step 3: Using the Dina Wakley Media Tape, I taped off the bottom of the egg, about 1/3 from the bottom. The tape will help keep a straight and even line when you move to the next step.

Pastel and Metallic Easter Eggs by Taylor Huizenga

Step 4: Using a Dina Wakley Media Metallic paint, coat the bottom third of the egg. This is where the tape comes in handy, don’t worry about hitting the tape with the paint. It will not be staying on the final product. Give each metallic paint 2-3 coats, or until evenly coated.

Pastel and Metallic Easter Eggs by Taylor Huizenga

Step 5: Once your metallic paint has been fully coated and dried completely, gently remove the Dina Wakley Media tape.

Pastel and Metallic Easter Eggs by Taylor Huizenga

Step 6: Using the easy flow applicator tip, create polka dots on the top of the egg where the pastel color is still showing.

Pastel and Metallic Easter Eggs by Taylor Huizenga

Step 7: When creating your polka dots, do one side of the egg, and then place in back into the egg crate that they came in to dry. Once the one side has dried completely, turnover and repeat on the other side.

Pastel and Metallic Easter Eggs by Taylor Huizenga

Springtime Media Board by Milagros Rivera

Springtime Media Board by Milagros Rivera

Do you sometimes wonder about the possibilities your stamps may bring your way? I do and with the new Fronds stamps by Dina I kinda had this butterfly vision in my head that I had to put to the test! You see Spring is coming over, not much changes over in my island but I’ve seen pictures of crocus breaking ground and it’s exciting! Pretty soon the ground will be filled with blooms and butterflies and that is the inspiration for my project.

Springtime Media Board by Milagros Rivera

Step 1: Grab your supplies, stamp the big and medium open fronds over your tissue paper. I’m using embossing powder in black because my intention is to flip them over to create a mirror image, the darker the better! Once you have all the pieces, hand cut them and with the Gel Medium adhere them to your journal page. I have a confession: the new Ranger and Ice Resin Squeegee is my new addiction! It will help eliminate any pockets of air between your tissue and your surface, it’ll run so smooth you’ll start wondering where it was all your life!

Springtime Media Board by Milagros Rivera

Step 2: Using your Squeegee, yes, again, apply Gesso over your page to set the stage for your paints. You will notice you use less product, it dries faster and is more efficient. Since my inspiration is springtime I wanted to subdue Dina’s bold colors into a pastel palette by using white. And guess what Mr. Squeegee, you’ll use it to mix and apply the paint, it also works to apply paint over stencils too!

Springtime Media Board by Milagros Rivera

Step 3: By prepping your media board with gesso you have made it easy to use a baby wipe to remove paint using your stencils, that same paint can be smeared over the stencil in a different color base or even on the plain gessoed surface. Now it’s time to collage the wings using Gel Medium and prep them with the Clear Gesso. Then clean your stamp by ghosting the images directly on your journal. Using the Scribble Sticks, give her color and cheeks some color.

Springtime Media Board by Milagros Rivera

Step 4: Use a watercolor brush to work the watercolor magic of the new Scribble Sticks. Use the Enamel Accents to give the coat some buttons and give the shoes some patent leather look. Using some wipes “clean” the pink color over your stencils to give a subtle floral effect in your background. Then play with your alpha stencil to write your quote with the Fudeball, I loved mixing the different heights in the letters to give the words some movement.

Milagros RiveraHello! My name is Milagros C Rivera and I’m a mixed media artists who loves to explore and experiment with all kinds of mediums. I was raised in a creative home, everybody did something ceramics, sewing, baking, jewelry, wood, glass, no medium was off limits! I continue to play and learn without having to restrict myself to just one thing! I live in the sunny island of Puerto Rico with my husband, 2 amazing kids and a menagerie of pets that make my life complete! I’m currently on the Design Team and Social Media Coordinator for Relics and Artifacts. You can find me on my blog as well as follow me on Instagram, Snapguide, and YouTube.

Lucky is a State of Mind Box by Audrey Pettit

Lucky is a State of Mind Box by Audrey Pettit | www.rangerink.com

Creating handmade home décor pieces is an easy and fun way to add a bit of spirit to your home for the holidays and seasons. Join me today as we create a whimsical vignette box for spring and St. Paddy’s Day using lots of fabulous Tim Holtz Distress products.

Lucky is a State of Mind Box by Audrey Pettit | www.rangerink.com

Lucky is a State of Mind Box by Audrey Pettit | www.rangerink.com

Let’s get started!

Lucky is a State of Mind Box by Audrey Pettit | www.rangerink.com

Step 1: To begin, prime the sides of an Idea-ology Vignette Box with Picket Fence Distress Paint. Allow the paint to dry completely, and then cover all four sides and the top edge of the box frame with a variety of Design Tape. You can skip painting the box first, if you wish. But I find that the white paint underneath really helps emphasize the design elements on the tape.

Lucky is a State of Mind Box by Audrey Pettit | www.rangerink.com

Cut patterned paper to fit all four inside edges of the box, as well as the back panel. Adhere the papers using Ranger Multi Medium Matte and a foam brush.

Lucky is a State of Mind Box by Audrey Pettit | www.rangerink.com

Step 2: Dab a bit of Cracked Pistachio Distress Ink into the box using a Mini Ink Blending Tool. And then spread Vintage Distress Collage Medium generously all around the inside and outside of the box. Set the box aside to dry completely.

Lucky is a State of Mind Box by Audrey Pettit | www.rangerink.com

Step 3: Paint Multi Medium Matte into all four inside corners, and cover the adhesive with Distress Glitter Dust. Shake all excess glitter into a coffee filter, and pour it back into your container. Set the box aside to dry.

Lucky is a State of Mind Box by Audrey Pettit | www.rangerink.com

Step 4: Select a Clippings or Small Chat sticker and apply it to a piece of raw chipboard. Trim around the sticker and then age it a bit with Brushed Corduroy Distress Ink.

Lucky is a State of Mind Box by Audrey Pettit | www.rangerink.com

Step 5: Cut a few thin strips of paper to use as brackets for the sentiment. Fold the strips into an “L” shape, and cut the length to fit the depth of your box. Adhere the foot of the strip to the back of the sentiment, and then adhere the back of the strips onto the bottom of the box. Pour Distress Glitter onto any exposed adhesive.

Lucky is a State of Mind Box by Audrey Pettit | www.rangerink.com

Step 6: Color a Found Relatives die cut with Distress Markers, and watercolor using an Tim Holtz Waterbrush.

Lucky is a State of Mind Box by Audrey Pettit | www.rangerink.com

Step 7: Apply Picket Fence to the clover Adornments charm, and allow the paint to set for a minute before wiping away the excess. Color the clover with a Distress Marker. Cover the charm with Glossy Accents, and set it aside to dry.

Lucky is a State of Mind Box by Audrey Pettit | www.rangerink.com

Step 8: Apply a variety of green Distress Inks to a piece of watercolor cardstock using the waterbrush. Let the paper dry, or speed up the process with a heat tool.

Lucky is a State of Mind Box by Audrey Pettit | www.rangerink.com

Step 9: Die cut the three smallest hearts from the Heartfelt Bigz Die several times from the inked watercolor paper to create clovers. You need three hearts for each clover. Cover the hearts with Crazing Distress Collage Medium. Set them aside to dry.

Lucky is a State of Mind Box by Audrey Pettit | www.rangerink.com

Step 10: Scribble a bit of Vintage Photo Distress Crayon onto your Craft Sheet. Pick up the pigment using your waterbrush, and apply it to the crazing. Let the pigment soak into the cracks, and then wipe off the excess with a clean cloth or paper towel.

Lucky is a State of Mind Box by Audrey Pettit | www.rangerink.com

Step 11: Punch clouds from Watercolor Cardstock. Ink with Brushed Corduroy Distress Ink, and then coat the edges with Vintage Collage Medium. Once the medium is dry, adhere the clouds to the back of the vignette box. To create depth, adhere some pieces flat to the box with Multi Medium Matte adhesive, and pop some up with thicknesses of foam tape. Adhere moss to the bottom of the box. Adhere the clover charm to the girls neck using Multi Medium Matte, and once the adhesive has set for a minute, stitch a small bow around the charm using a needle and thread. Apply four thicknesses of foam tape to the backside of the girl die cut. Adhere her into the box.

Lucky is a State of Mind Box by Audrey Pettit | www.rangerink.com

Step 12: To create the clovers, place a small dot of Multi Medium Matte adhesive at the points of the hearts, and glue three hearts together. Gather some small twigs from your yard, and adhere pieces to the back. Place foam onto the back of the clovers, and add them to your box.

Lucky is a State of Mind Box by Audrey Pettit | www.rangerink.com

audrey pettitMy name is Audrey Pettit. I live in Cary, North Carolina and have two wonderful kiddos, Peter and Nicole. I started scrapbooking and card-making about a decade ago after being invited to a friend’s house for a stamping party. That party opened my eyes to a whole new world of paper-crafting, and I have never looked back.  Visit Audrey’s blog at: AudreyPettit.Wordpress.com.

Distress Oxide Framed Panel by Paula Cheney

Distress Oxide Framed Panel by Paula Cheney | www.rangerink.com

Step 1: Gather supplies, including Distress Oxide Ink, Distress Crayons and Mixed Media Heavystock Tags.

Distress Oxide Framed Panel by Paula Cheney | www.rangerink.com

Step 2: Add Distress Oxides Iced Spruce and Fossilized Amber plus Distress Ink Aged Mahogany to a Non-Stick Craft Sheet. Make sure inks do not touch. Spray droplets of water over the inks using a Distress Spray bottle.

NOTE: Because ink is suspended in the pad, you must press down on the ink pad when applying it to the Craft Sheet.

Distress Oxide Framed Panel by Paula Cheney | www.rangerink.com

Step 3: Press or swipe a Mixed Media Heavystock Tag through the inks, picking up a little of each color. Begin drying the tag with Heat It Tool. Before the tag is completely dry, slowly pull the trigger of the Distress Sprayer to add larger water droplets over the tag and begin drying again. The additional water will make the ink separate and wick out to and create a chalky oxidized look. Very cool!

Distress Oxide Framed Panel by Paula Cheney | www.rangerink.com

Step 4: Repeat steps until you are satisfied with the color.

Distress Oxide Framed Panel by Paula Cheney | www.rangerink.com

Step 5: Create at least three tags that are similar in coloring.

Distress Oxide Framed Panel by Paula Cheney | www.rangerink.com

Step 6: Using Vintage Photo Distress Oxide, stamp over one tag using the Vines & Roses stamp set.

Distress Oxide Framed Panel by Paula Cheney | www.rangerink.com

Step 7: Use the Distress Sprayer to add water over the stamped image. Watch the Distress Oxide ink start to blur and separate. Start the drying process right away to control the spread of the ink.

Distress Oxide Framed Panel by Paula Cheney | www.rangerink.com

Step 8: Once all tags are dry, cut them up into different size pieces.

Distress Oxide Framed Panel by Paula Cheney | www.rangerink.com

Step 9: Use a Distress Brush and Distress Collage Medium to adhere the paper pieces to the back of a Framed Panel that has been previously painted with Picket Fence Distress Paint. Set aside to dry.

Distress Oxide Framed Panel by Paula Cheney | www.rangerink.com

Step 10: Use your finger tip to smear a thin layer of Distress Grit-Paste on the edges of a Mini Cabinet Card Frame. Let dry completely.

Distress Oxide Framed Panel by Paula Cheney | www.rangerink.com

Step 11: Once dry, scribble over the Grit-Paste and frame with Aged Mahogany and Gathered Twigs Distress Crayons. Spritz with a light mist of water and rub the crayon into the frame. If you rub too much away, you can always add more.

Distress Oxide Framed Panel by Paula Cheney | www.rangerink.com

Step 12: Use Distress Markers to tint a Paper Doll by coloring the image and then rubbing away the excess ink with a cotton swab.

Distress Oxide Framed Panel by Paula Cheney | www.rangerink.com

Step 13: Spray at least two bunches of paper flowers from the Bouquet pack with Antique Linen Distress Stain Spray. Make sure the front and back are covered. Let dry completely.

Distress Oxide Framed Panel by Paula Cheney | www.rangerink.com

Step 14: Slip a small piece of linen from the Textile Surfaces pack into the Mini Cabinet Card Frame. Adhere Paper Doll, Clippings Stickers and Adornments wand to the Framed Panel with Collage Medium. Drop all the paper flowers onto frame and glue where they fall to create an organic look. Add string that has been colored with Vintage Photo Distress Ink to the flowers using Collage Medium.

Distress Oxide Framed Panel by Paula Cheney | www.rangerink.com

Step 15: Once paper flowers are secure, add a bit of Stickles Platinum onto each flower stamen for a little bit of sparkle.

Paula Cheney

I have been a “maker” all my life. Sewing, stamping, paper arts, I love it all. Creating and teaching is a passion for me, whether it is in the classroom or on my blog, One Lucky Day. I have worked in the scrapbooking/mixed media field since 2005 and for the last five years I have worked as the Creative Coordinator for Tim Holtz Brands, a dream job if there ever was one. On a personal note, I live on the Central Coast of California with my husband, Jay. I love to travel to new places to look for old junk and am willing to pack a bag at a moment’s notice. On an ordinary day you can find me working away in my craft room with the windows wide open and music playing in the background.

Cracked & Foiled Frame by Debbie Tlach

Cracked & Foiled Frame by Debbie Tlach | www.rangerink.com

Step 1: Apply strips of Adhesive Foam to the canvas, creating a frame shape. Peel the protective paper from the foam. Apply a coat of Opaque Crackle paste to the top & sides of the Foam Tape.

Cracked & Foiled Frame by Debbie Tlach | www.rangerink.com

Step 2: Dry with a Heat Tool. Note: Keep Heat Tool about 8” from the surface and keep it moving. As the paste dries and becomes matte you can move the Heat Tool closer to the canvas. We want the paste to dry not bubble. As the paste dries, it will crackle, and the black foam will show from between the Crackle Paste. Let cool completely.

Cracked & Foiled Frame by Debbie Tlach | www.rangerink.com

Step 3: Paint the inside of the frame with Black Gesso. Let dry. Apply various colors of the Foil Sheets to the cracks by randomly pressing sheets of foil onto the sticky, exposed areas of foam, colored side up.

Cracked & Foiled Frame by Debbie Tlach | www.rangerink.com

Step 4: Cut a Dyary Die Cut in half. Color the Die Cut with Dylusions Paint Pens. Attach the Die Cut with an Adhesive Strip to the inside, bottom of the frame.

You’ve Got Mail by Miranda van den Bosch

You’ve Got Mail by Miranda van den Bosch | www.rangerink.com

I love getting and sending letters. An email is quick and easy but a handmade card or handwritten letter is more personal; don’t you think so too? The only bad thing is that the cards I receive are lying around everywhere. I don’t have a proper place to store them. So time to make myself a Dylusions style letter rack.

You’ve Got Mail by Miranda van den Bosch | www.rangerink.com

Step 1: I started with adding a thin layer of gesso to the letter rack. The letter rack is made of MDF which is brown. The colours won’t come out so brightly if you don’t add a layer of gesso first. Untreated, the MDF will absorb a lot of the paints also, which is a waste of paints. Pick out some nice Dylusions colours (I’ve used Cherry Pie , Crushed Grape, Tangerine Dream and Bubblegum Pink) and add the paints with a Mini Blending Tool to the surface of your letter rack. Mind that you don’t blend the Tangerine Dream (orange) with the Crushed Grape…you will create mud if you do. I’ve used the red and pink as a border between the orange and the purple, because both the red and pink go well with either the orange or the purple. Choose a few stencils and use the Mini Blending Tool to add some structure to all the sides of the letter rack. Use one stencil with White Linen, white will make the colours pop. Let all the sides dry and assemble the letter rack.

You’ve Got Mail by Miranda van den Bosch | www.rangerink.com

Step 2: Now that the painting is finished, I start with decorating the letter rack. I stamped a lot of the Doodle Blooms with Archival Ink (Jet Black) and recoloured all the black parts of the stamped image using the Dylusions Paint Pen in Black Marble. I hardly ever think that the stamped image is black enough so I normally colour all the black parts again with a paints pen. Glue all the flowers to the letter rack using gel medium (matte). I drew some stems with the Dylusions paint pens Black Marble and White Linen. For the leaves I used the Branching Out stamp set. Cut out the leaves in pairs or singles and glue them on the stems of the flowers. And the letter rack is finished.

You’ve Got Mail by Miranda van den Bosch | www.rangerink.com

Step 3: Here you see all sides of the letter rack. In the end I decided to add a little birdy and a caterpillar from some older Dylusions stamps sets.

You’ve Got Mail by Miranda van den Bosch | www.rangerink.com

Step 4: For this project I also made a card (a5 size). I have painted the background in exactly the same way as shown in Step 1. I stamped the flowers of the Anatomy of a Page set on my background and on a separate piece of watercolour cardstock. I coloured the flowers on the watercolour cardstock with coloured pencils. Cut out all the flowers and glue them to the stamped ones on the background. This way I don’t have to cut out all the stems and tiny leaves.

You’ve Got Mail by Miranda van den Bosch | www.rangerink.com

Step 5: For the rest of my card I stamped a variety of stamps and just started colouring.

You’ve Got Mail by Miranda van den Bosch | www.rangerink.com

Step 6: For this background I used Tangerine Dream, Bubblegum Pink and Funky Fuchsia. In the end I used one of the Doodle Blooms, a Puddy Cat and at the top I used the new Foliage set.

You’ve Got Mail by Miranda van den Bosch | www.rangerink.com

You’ve Got Mail by Miranda van den Bosch | www.rangerink.com

Step 7: I have decorated an envelope, as well. Kept it quite simple just by using a stencil (Flower Pop) and the Bubblegum Pink Dylusions Mica Spray. I might add some doodling later, if I know to whom I will send the card. Make the envelope a bit more personal too.

You’ve Got Mail by Miranda van den Bosch | www.rangerink.com

And this is the letter rack with the card and envelope.

Miranda van den Bosch

My name is Miranda van den Bosch and I live in Ridderkerk, which is a small town in the Netherlands. I have been painting and drawing since I was 4. I mainly painted portraits and animals. In 2010 I discovered art journaling and the fabulous world of Dyan Reaveley’s Dylusions and I got hooked ever since. I love the many possibilities you have with the stamp sets. You can create new images over and over again by combining new sets with older sets…..and the colours of the inks and paints aren’t they just dylucilious???

My Blog:  http://mirandascardcreations.blogspot.nl/
My Facebook :  https://www.facebook.com/miranda.vandenbosch.94
My Instagram :  https://www.instagram.com/macbo27/
Pinterest:  https://nl.pinterest.com/mirandav/

Bloom by Tracy Scott

Bloom by Tracy Scott | www.rangerink.com

Hey there beautiful people…I am thrilled to have been asked back by the amazing Ranger team to share another project with you today.
It’s very cold in the UK at the moment but that doesn’t stop me thinking about the coming of Spring and the long lazy days of summer. With that in mind I wanted to create a bright and cheerful project for you to get those creative juices flowing. I hope you enjoy as much as I enjoyed creating it…

Bloom by Tracy Scott | www.rangerink.com

Step 1: Gather fabric scraps, I used old pieces of lace and ribbons as well as a pack of the Dylusions Blank Self Adhesive Canvas.

Bloom by Tracy Scott | www.rangerink.com

Step 2: Take a sheet of the self-adhesive canvas, peel off the backing and press the sticky side against an old piece of cloth a few times to get rid of the stickiness then cut some slits in the end approx. ¼ inch apart. Hand tear each strip (some will curl more than others).

Bloom by Tracy Scott | www.rangerink.com

Step 3: Arrange the pieces of lace, fabric and ribbons onto the canvas gluing down with Matte Medium and then glue the torn canvas strips at one end only allowing them to hang loose on the canvas. Once all the fabric is on using Texture Paste and your palette knife I added some texture with the Dylusions large leaf stencil.

Bloom by Tracy Scott | www.rangerink.com

Step 4: Now cover the whole canvas including the fabric scraps with a coat of white gesso.

Bloom by Tracy Scott | www.rangerink.com

Step 5: Gather up your chosen paint colours and a water mister bottle.

Bloom by Tracy Scott | www.rangerink.com

Step 6: Take your first colour (I chose Vibrant Turquoise mixed with White Linen) and spritz with water to give a runny consistency.
Bloom by Tracy Scott | www.rangerink.com

Step 7: Hold the canvas at 90 degrees and start adding the colour to the canvas allowing it to start to run. If it’s not running as much as you’d like, then spritz directly with some more water.

**please note I like to dry with a Heat Tool between each paint colour**

Bloom by Tracy Scott | www.rangerink.com

Step 8: Repeat step 7 with more colours (this time I chose Melted Chocolate and Funky Fuchsia mixed with a little white) For the lace and fabric along the bottom of the canvas I turned the board on its side so the drips are running in line with the direction of the fabric.

Bloom by Tracy Scott | www.rangerink.com

Step 9: I then went back in with some of the Vibrant Turquoise, Funky Fuschsia and Fresh Lime, but this time I didn’t mix with any white so I would get bolder brighter colours. Repeat step 7 until you are happy with the result.

Bloom by Tracy Scott | www.rangerink.com

Step 10: Dry the canvas completely and then using the Vibrant Turquoise and Funky Fuchsia I mixed the colours with water and loaded up a paint brush. Lightly tap off over the canvas to create splatters.

Bloom by Tracy Scott | www.rangerink.com

Step 11: Next I stamped the roses from the ‘Branching Out’ stamp set directly onto the canvas board in various places along the edges of the fabric. I then painted with a mix of Pomegranate Seed, Funky Fuchsia and Bubblegum Pink.

Bloom by Tracy Scott | www.rangerink.com

Step 12: Using Jet Black Archival Ink, I stamped out some more of the roses and also one of the flowers from the ‘Doodle Blooms’ stamp set into smooth white card.

Bloom by Tracy Scott | www.rangerink.com

Step 13: I painted the flowers, again using a mix of Pomegranate, Funky Fuchsia and Bubblegum Pink. I then cut out the flowers and adhered to the canvas using 3D foam.

Bloom by Tracy Scott | www.rangerink.com

Step 14: Next I mixed some of the white paint with water so that it was runny and loaded up a brush, tapping it over the canvas and flowers to create more splatter.

Bloom by Tracy Scott | www.rangerink.com

Step 15: Next I used a fine brush and some Matte Medium to add areas of glue to the canvas, I then sprinkled with the Enchanted Gold Embossing Powder and heat set to add some sparkly accents.

Bloom by Tracy Scott | www.rangerink.com

Step 16: For the next step I used Tim’s alphabet stamps and stamped the word ‘Bloom’ onto smooth white card using the Embossing Ink Pad.

Bloom by Tracy Scott | www.rangerink.com

Step 17: I covered the stamped word with the Black Embossing Powder and heat set to give a glossy raised finish.

Bloom by Tracy Scott | www.rangerink.com

Step 18: For the finishing touch, using Tim’s scissors (they have a nice sharp point which is perfect for cutting out small shapes) I cut around the letter and then adhered to my canvas using the 3D foam tape.

Holiday Welcome Sign by Tracy Scott

Holiday Welcome Sign by Tracy Scott
Hey there, 
My name is Tracy Scott and I’m a mixed media artist from East London in the UK and I’m here today with a ‘Holiday’ themed tutorial using Dyan’s most fabulous Dylusions Paints and products…. 
Holiday preparations are well and truly underway in our house, present shopping and wrapping is happening as we speak and plans for all the lovely home cooked goodies we will be having this season to share with family and friends. 

For my tutorial today I wanted to show you how easy it is to paint your own holiday welcome sign (Dyan Style of course !!!) for when all of those guests come to visit !! 

Holiday Welcome Sign by Tracy Scott
Step 1: I chose an 11×9 wood panel for my substrate but you could easily adapt this to use one of Dina’s fabulous mixed media boards (it wouldn’t be quite so heavy to hang !!) I coated the whole board with gesso and then using a mix of Dylusions paint, I used Fresh Lime, White, Vibrant Turquoise and Dirty Martini, I spread these randomly over the board with my fingers blending the colours together as I went. 
Holiday Welcome Sign by Tracy Scott
Step 2: I force dried with a Heat it Tool allowing the paint to blister and bubble slightly to add a little texture to my piece (I didn’t want too much texture as this would be harder to paint over later) 
Holiday Welcome Sign by Tracy Scott
Step 3: My favourite colour combination at the moment is Dylusions Pomegranate, Cherry Pie and Bubblegum Pink, they are just so totally rich when used together on a project and when used against the greens in this background it is just stunning !!! 
Holiday Welcome Sign by Tracy Scott
Step 4: Starting with the Pomegranate first I used my fingers to paint this on in a circle on my board, layering the Cherry Pie on top and then the Bubblegum Pink on top of that, allowing the colours to slightly blend together as they are applied, thinking about where the light and shadow will fall and which direction the light is coming from I finally added white for a highlight. 
Holiday Welcome Sign by Tracy Scott
Step 5: I repeated this process in several places over my board paying attention to the ‘light source’ to add shadow and highlights with the paints. (I partially overpainted one of the circles so that it appeared to be tucked into the background to add some more depth) 
light is coming from I finally added white for a highlight. 
Holiday Welcome Sign by Tracy Scott
Step 6: Using a mix of the green and blues paints again I added some shadows to my board using the same ‘light source’ as used for the circles. 
Holiday Welcome Sign by Tracy Scott
Step 7: Moving on to the Black Dylusions paint and a small paint brush I painted in the top of my baubles, down the left hand side (again paying attention to my light source) and added some line details to some to give added interest. 
Holiday Welcome Sign by Tracy Scott
Step 8: Using the black and white Distress Crayons I began adding more shadow and light details both on the baubles rubbing in with my finger but also using the black underneath to add even more depth. 
Holiday Welcome Sign by Tracy Scott
Step 9: Using Dyan’s fabulous paint pens I started to add some finer details to my painting, adding the strings to my baubles so that they can hang in the tree.  
Holiday Welcome Sign by Tracy Scott
Step 10: Next I took the small Dylusions Stars Stencil and some White Linen Dylusions paint and added randomly to my background, I masked off the baubles with some washi tape and used a blending tool to get a good coverage on the white.  
Holiday Welcome Sign by Tracy Scott
Step 11: Of course you can’t have baubles without a bit of glitter and the Mercury Glass Stickles is just perfect to add a little touch of sparkle. I added randomly on the baubles and then added touches around the board.  
Holiday Welcome Sign by Tracy Scott
Step 12: Water down some White Dylusions Paint and use the Tim Holtz Splatter Brush, add randomly all over the board, force dry with a Heat Gun so that the drips bubble.  
Holiday Welcome Sign by Tracy Scott
Step 13: To frame the edge of my board I used the Black Distress Crayon and started to layer on, smudging with my fingers and building up the layers.  
Holiday Welcome Sign by Tracy Scott
To finish my project I just had to choose one of Dyan’s ‘fabulous’ quotes and I knew that this one was just perfect….a holiday welcome sign…’Dyan’ style !!! 

Thank you for stopping by today. I’ve had an absolute blast creating this project and know that you will too. Give it a go and have a very happy holiday xx 
Holiday Welcome Sign by Tracy Scott

Tracy ScottMy name is Tracy Scott and when not at the day job as a finance officer in East London UK I love nothing better than getting inky and painty. Colour is my passion and as long as it’s completely bright and over the top then I’m all over it. The brighter the colours the more I love it…nothing dull and brown for this girl I’m afraid !! I am passionate about art journalling and mixed media and love to share my knowledge with all like minded arty friends!
Find me at my blog: www.heartistry@studio7.blogspot.com
Facebook page: www.facebook.com/myjournallingjourney
Instagram: www.instagram.com/Tr4cy1973