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Tim Holtz™ Distress Ink™ Pads

Tim Holtz™ Distress Ink™ Pads

Some tips and techniques for using Tim Holtz Distress Ink Pads

Here are some key points that make Distress Inks different:

STAYS WET LONGER – (allows you to blend and shade on photos and paper – also emboss) other dye inks dry too fast especially on photos so you end up with lines and marks if you go direct from the pad.

COLOR WICKS OR SPREADS OUT – (these inks will travel across the surface of your paper when spritzed with water) other dyes do not travel as much although they might bleed a little when wet, the Distress Inks actually “wick” or spread out much further creating several tone on tones.

COLOR STABILITY – (the colors of the Distress Inks will not break down when wet or heated allowing you to have more color control for the finished look) other “brown colored” dyes will break down when water is added leaving a pink & green hue.

COLOR PALETTE – Well these are unlike ANY other colors of inks you’ve seen. The color palette of Distress Inks is:

* Antique Linen – the color of aged lace or linens found in the cherished heirlooms of Grandmother’s trunk

* Old Paper – the color of weathered and timeless book pages tucked away in the attic for generations

* Tea Dye – the orange hue of saturated tea bags with the results of dying in a tea bath for days

* Vintage Photo – this color is captured right out of the photographs from times gone by

* Walnut Stain – a rich, dark stain of and old walnut tree perfect to create a dark wash of color

* Black Soot – from the depths, a black like no other – this is the one you’ve been searching for

* Fired Brick – the look of charred cinders from an old camp fire

* Weathered Wood – taken from the patina on a dairy barn’s window frame

* Mustard Seed – the rich, warm taste of spicy Americana mustard

* Peeled Paint – the color of the flaked green paint on Aunt Sadie’s porch
furniture

* Tattered Rose – Grandma’s cabbage rose wall paper, faded and stained to
perfection

* Milled Lavender – a veil of pale lavender sachet tucked into Mom’s lingerie
drawer


TO DISTRESS: I like to use water when I am distressing. I think it gives the papers more of a weathered texture, so here’s how I start. Working on any type of paper (manila, cardstock, or text weight), crumple the paper up – always press in the center of any heavyweight cardstock or manila stock – this will break the surface tension of the paper and allow you to crumple up the paper easier without tearing it. Next rub the Distress pads over the surface – you can work with several different colors or just one – WALNUT STAIN IS IDEAL FOR THIS. Then spray the inked surface with water (you will immediately notice the ink “travels” outward when water is applied as these inks are designed to react with water). Heat the surface to dry – and here’s why… Although you don’t have to Heat Set these inks for any reason, I like to dry the water using either my Heat-It Craft Tool or an iron. This will allow for more tone control and keep areas dark and others light. Ironing the paper will also give you a much smoother surface to stamp on without compromising the aged finish. *If you allow the surface to air-dry most of your color will end up on the edges only because the paper will bend and buckle when wet, forcing the ink and water to the edges. Notice that these Distress Inks retain their color value even when wet and dried. Other brown dyes will break down in color (sometimes leaving a pink and green hue).

DOUBLE DISTRESS TAGS: Crumple tag and apply 2 colors (one new tone and one original tone) of Distress Inks directly from the pads to each crumpled tag. Spray with water and dry.

“WRINKLE-FREE” DISTRESSING
To create the look of aged papers, from times gone by, without all the lines
and wrinkles – give this a try. Working on your non-stick Craft Sheet, begin
by directly applying various colors of Distress Ink Pads to the surface of the
Craft Sheet. A couple of swipes of a color or two will do the trick (you
might also try using an original color of Distress Ink along with a new one!).
Get out your Distress Re-Inkers for this next step as you want to add a bit of
intense color for the ultimate vintage look. I like using Walnut Stain or
Vintage Photo for this, so remove the glass dropper from the bottle and drag it
across the inked Craft Sheet – do not squeeze any drops of ink as it will take
over everything! Next mist the Craft Sheet with water to allow the inks to
begin mixing and blending – usually 3-4 sprays is plenty. Then take your paper
or tag and place in directly on the inked Craft Sheet and lift it off. If you
have any un-inked areas simply place that area of the paper on any left over
inks on the sheet. Finally dry your paper or tag using an iron or a Heat-It
Craft Tool ( if you allow your papers to air dry they will curl and force most
of the ink to the edges so I prefer to heat them to dry.). To finish your
attic-fresh look, ink the edges with Distress Inks using a piece of Cut n’ Dry
Foam.

FOR STAMPING: What can I say about the many stamping applications these inks can achieve. Once again the special formulation on these Distress Inks provides a versatile finish on papers yet still allow for “normal” stamping applications. I like to stamp on uncoated (matte) papers and immediately rub the image with a cloth – this will soften or shadow your image WITHOUT smudging any detail – VINTAGE PHOTO, WALNUT STAIN, TEA DYE, BLACK SOOT – wonderful for this one! Another surface is glossy cardstock – keep in mind this is a different type of dye ink so when you stamp on glossy, certain areas of your image will “bead” up, once again providing a Distressed look without you doing a thing (this is probably one of my most favorite looks) – some areas of the image appear “pitted”. Brayering on glossy cardstock is also wonderful because you can still manipulate the inks with different tools, brushes, your fingers, whatever. Even after the ink is applied you can achieve amazing texture and color shading.

ON PHOTOS: FINALLY an ink formulated for photos! Whether you’re a scrapbooker or not you can use all types of photos (vintage or new ones) on your cards and pages. The Distress Inks work on all types of photos – inkjet, laser, toner copies, regular photos (matte or glossy) and even color photos! Start by using the lightest colors ANTIQUE LINEN or OLD PAPER with either a brayer or DTP (direct to photo). Cover the photo in the lighter colors, blend the colors with
a small piece of Cut n’ Dry Foam after you apply the inks – these inks stay
wet long enough for you to blend out any lines or marks other ink pads leave on
photos. Next age the edges with VINTAGE PHOTO or WALNUT STAIN by applying the pad directly to the edges – soften and mix the tones with a small piece of Ranger Cut ‘n Dry™ Foam. Of course to complete the aged process lightly sand – YES SAND – the photo with medium grit sand paper. Don’t go over anyone’s face, but just make a few scratches here and there.

PHOTO TINTING:
Distress Inks acid-free, easy to blend formula makes them your best choice
for photo tinting. Make a black and white copy of your favorite photo onto
Ranger Gloss Paper. Select areas of your photo to colorize. Pick up ink directly from the Distress Pads with Cut n’ Dry Nibs and color. It’s that easy! Cut n’ Dry Nibs provide the control you need to place colors exactly where you want them. Distress Photo Edging Make any photo look antique. Cut a small square of Cut
n’ Dry Foam. Ink the foam on one of the Distress pads. Rub the inked foam
around the edges of the photo for anaged effect.

THE RE-INKERS: The Distress re-inkers are so versatile and fun, especially the bottles they’re in! These vintage looking glass dropper vials are perfect for aging a “batch” of tags, fibers, linens or whatever, in baths of Distress Inks & water. You can also create your own palette on your craft sheet using the reinkers and hand tint any black and white photo color by color (very fun thing to do). I also like using the resist ink or Perfect Medium and the reinkers to create amazing stained backgrounds on papers. Enjoy the journey…

For more information, visit www.timholtz.com.